Poets at the Floyd Country Store
This story was published in The Floyd Press on May 1, 2008. It was also featured on the newspaper's website HERE.
This is getting to be a real good smelling poetry reading,” said visiting poet Jim Webb in reference to the scent of popcorn coming from the front of the Floyd Country Store.
Webb and seven other members of The Southern Appalachian Writers Cooperative (SAWC) were at the Country Store Friday afternoon for a round-robin poetry swap with members of the Floyd Writers Circle. The evening before, the visiting writers attended an event at Radford University (RU), celebrating the publication of All There is to Keep, a book of poetry by Rita Riddle, an RU English professor and SAWC member who died of cancer in 2006.
Webb works for Appalshop, a media arts center in Kentucky that produces documentaries, some of which have aired nationally on PBS. He was recording the Floyd readings for Kentucky’s WMMT FM, a mountain community, listener-supported station affiliated with Appalshop. 
Floyd Press columnist Fred First, both a member of SAWC and the Floyd Writer’s Circle, hosted the Floyd event. Robert Cumming, Iris Press book publisher from Tennessee, was also present.
Readings of mostly poetry spanned subjects ranging from love and death to farming and tea drinking.
First read an essay from his book, Slow Road Home, about his childhood dread of asparagus. … My parents claimed this was a vegetable. To my mind, this vile substance was never anything more than a green poison created by children-loathing adults on the other side of the Iron Curtain ...”
Dana Wildsmith, whose most recent book, One Good Hand, is a reference to her life of alternating farm chores with writing poetry, read a poem called “Southern Love Poem.” … You’re slicker than Talladega, as classic as Gone with the Wind, more hometown than Patty Loveless or REM, sweeter than Iris Dement. How could my heart not be yours? … Wildsmith, a teacher of writing and an ESL instructor from Georgia, authored a poem titled "Making a Living,” which was read on NPR by Garrison Keillor.
Webb, wearing a bright pistachio green shirt with one of his poems printed on it, read an impassioned poem decrying mountaintop removal.
He lives on the second highest mountain peak in Kentucky, second in height only to another peak that he can see from his home, which is being strip-mined, he explained. … As close to heaven as you can get … Why doesn’t God complain … Call the cops … he read. Webb told the group, “until they stop mountain removal, I’m going to read this poem at every reading.”
Radford University teacher and former Floyd Countian Jim Minick edited the posthumously published book of Riddle's poetry and hosted the Thursday night book release event at RU. At the Floyd reading, Minick read some of his new poetry that will be included in a soon to be published collection. He spoke of the readings the night before and the impact of hearing SAWC members read Riddle’s poems. Members of SAWC and Iris Press were involved in the publication of All There is to Keep, and many were friends of Riddle.
Chelsea B. Adams, Floyd poet and writing teacher at RU, joined the circle, reading poems that Riddle had commented on when she and Riddle were in the same writers workshop group. Adams is author of Looking for a Landing, and Java Poems. 
Other SWAC members attending were Ron Houchin, who has had three poetry books published in the U.S. and Ireland; Felicia Mitchell, a poet and writer who teaches at Emory & Henry College; David Hampton, who teaches high school English in North Carolina; and Beto Cumming, a book designer and editor for Iris Press.
Five members of the Floyd Writer’s Circle who shared their original work included First, Katherine Chantal, Jayn Avery, Mara Robbins, and Colleen Redman.
After the readings, the group mulled around a table display of their books, signing, selling, and trading them with each other. Writing resources and stories also got swapped. The visiting writers had dinner at Oddfellas Cantina and attended the Friday Night Jamboree.
Post Notes: To learn more about the Southern Appalachian Writers Cooperative, go to sawc.us. The mission statement on their website states an intention to foster community between Appalachian writers and encourage the publication of their works.
Photos: 1. Beto Cumming reading poetry at the SAWC/Floyd Writers Circle meet-up. 2. Dana Wildsmith reading as (left) Felicia Mitchell and (right) Robert Cumming listen. 3. Jim Webb reads a poem condemning the practice of mountain top removal. Doug Thompson has posted some nice photos HERE.
The 7-9 time-slot stretched on to 10:30, with several new readers, a full house of attendees, and a line-up that resembled a Spoken Word variety show. After Greg opened the evening with a reflective essay about photographs and memories, Mara (pictured left) and I shared our very different

There was lime green, kelly green, olive, and teal represented at the third Saturday
The said book was used as a prop, the four leaf clover was waved in the air, and the word shamrock was mentioned. 
Extra chairs were carried in from the Winter Sun hall to accommodate the overflow crowd for February’s Spoken Word at the
He stood as he told the audience that he’s recently started a writer’s workshop for short story writing. The short story he read about an airplane crashing into a yard was well received by listeners.
At one point Sally, Café Del Sol owner and spoken word MC, asked for a vote to determine if people wanted the lights kept on or if they wanted a candlelight atmosphere. 
~ Third Saturday Spoken Word at the Café Del Sol 7-9
She read another one about loving the NFL and later insisted that part was true. But she is not Greek as another line in another poem stated.
“Did you find one you like?” I asked Phil, father of our youngest spoken word reader, Mars. 

Mara put Elliot’s name on the sign up sheet for one of the ten minute slots because we planned to read a few of his poems. When Sally got to his name, she spoke faintly and questioningly, “Elliot?” while scanning the audience as if she was looking for a ghost.
My life is structured around seasons and holidays in the same way I imagine an elementary school teacher’s might be. Every month I look for seasonal graphics and clip art to adorn the
(which will appear in November’s Museletter) to Catherine Pauley’s garden. Catherine, a well known artist and long time high school teacher, is director of Floyd’s Old Church Gallery. Her garden is a wild spot cultivated with an artist’s eye in amongst the open and rolling hills by the Pauley well drilling business office. It was started by Catherine with the help of her husband after her battle with breast cancer over ten years ago. Since then, her husband has passed on, and recent additions to the garden have been in memory of him.
she said she had nothing new to read. I encouraged her to read something old. She did, but she also read a new piece that she ended up writing after all, after taking a walk and being inspired by the fall colors. 
In the end I’m like Rosa Parks … I don’t want to get up and go where I’m told … I work just as hard as any other poet … and I write from where I sit … Colleen
She’s also a new Floyd blogger and you can read her poem in its entirety on her blog
“You can come read your poems here anytime,” Sally said into the mic after Chelsea faced her addiction with odes to her dark potent master. 
I wanted to correct the line I flubbed during the official reading. After that I read a poem about spooky sunflowers to ring in the beginning of fall, which seems to have arrived overnight. 








The following was published in the 
The spirit of the performance was upbeat, meant to encourage diversity and remind us that we are all more alike than we are different. 
The moon in June will bloom blue and times two, but the poets will be out when it’s NEW ... So began the Floyd Press ad and the

I’m always excited when these evenings draw new readers and listeners because it means that are goals are being fulfilled. To see a first time reader give voice to their creative expression is what it’s all about. I can’t think of a more fun way to spend an evening.
Sometimes it takes a poet to speak the unspeakable in a way that is pointed and yet melodic enough to make us hear with more than our ears. 
My poetic offering did not involve food, but did relate to the Tech shootings. 
The following originally appeared in "The Floyd Press" newspaper on March 22nd.



Two stand-up comics, two children, one poet performing to the Indigo Girls singing Bob Dylan on a boom box, and another reading while standing on a chair made for a wild night at the Café Del Sol’s Spoken Word Open Mic. A total of twelve performed to a full house. At one point Sally, the café owner had to borrow chairs from the Winter Sun Hall to accommodate the overflowing numbers. 



“Did the spoken word ad in the Floyd Press say that no men were allowed?” I joked when I scanned the café and counted ten women. Because of Rick’s retirement party up the road at Mama Lizardo’s attendance was light. So we gathered up close to the mic that most of us didn’t feel the need to use, sipped our various drinks and took turns reading mostly poetry. 

Feelin’ groovy at the
Some took to the mic. Greg with the tattoos up and down his arms came back. He read a poem about his hands, how well they have served him. I meant to shake his before he left but was busy flitting to and from other flighty pursuits and never landed quite close enough to do so. Some dark themes were brought into the soft café light. There was also mention of love and a bar of soap, three of them actually, in a poem that Rosemary read about her life’s work, end of life care. The girl named Joy sitting next to me on the couch cried when Leah read her powerful poem about a girlfriend’s suicide. A few people laughed when a girl from Tekoa performed some stand-up at the mic during the intermission. 


“I feel a little like Leonard Cohen to her Sylvia Plath,” I leaned over and whispered in my friend
Eventually she plans to go back to go back to school, but not for poetry or creative writing. “You can’t earn a living at it,” she explained.
For the first anniversary of the
Floyd Fest is different this year. There is no mud. No rain or fog. No hurricane skirted the site, as it has in the past, and festival goers have had to drop the nickname “Fog Fest,” because there is none.
They don’t come to hear poetry. They do not stand on the soapbox to complain about President Bush, read their own poems, or organize a revolt against public school. They like the Poetree because there are apples in it!